Few artists of his generation can claim to be still making music this strong. Mirage-era stylings, double tracked vocals, and catchy choruses surround a set of songs that focus on band & domestic disharmonies. Perhaps his most ‘pop’ outing and most FM sounding solo album yet. Mark: The ex-Fleetwood Mac-er returns with a delayed album – originally cut in 2018. Imagine a pagan shaman musician in an ancient forest, creating music from synthesisers he has created from the surrounding trees.
Lyrics rubbing shoulder by shoulder with socio political statements. It’s a heady mix with deliberately obscure and mysterious. Their well reported incendiary live performances are replaced with an experimental electronic Shamanistic vibe ,with propulsive post punk stylings that have nods to Afro-futurism. Neil: Snapped Ankles 2017 debut release ‘Come Play the Trees’ sees a different side of the band from their live performances. I’m not sure what it was all about though… DIY electronica meets Krautrock/Art-rock, with vintage synths underpinning the cacophony. Mark: Mysterious and unknown London-based post-punk band who wear ghillie suits when performing. Wryly funny, poetic, serious when it needs to be, and it shows us why he is one of our finest musicians.Ĭome play the trees. It is an impressive work, interspersed with a lot of the hallmark touches he brings to his other work in The Phoenix foundation. Neil: One of the core creative forces behind the mighty The Phoenix Foundation releases (with a lot of help from his friends) his third solo effort, this time simply called Buda. Well deserving of all the good reviews its been getting. A great fun, catchy, self deprecating album, whose reflective moments pull the threads of everyday life with revealing lines that stick with you.
Three tracks features lyrics by author and poet Damian Wilkins & other collaborators include Don McGlashan, Joe Lindsey and Toby Laing from Fat Freddy’s Drop, Riki Gooch, and Anita Clarke from Motte, who sings on every track. Organs and synths fade in and out in a set of woozy pop that focuses on the travails of aging bodies, domesticity and happiness amid global chaos. Mark: Luke Buda returns with his first solo album since 2008’s Vesuvius. Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library and put our highlights here with some quick reviews of new titles - our limit is a few lines only.ĭo we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is banging on about.
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Go back in time with this Retro collection and download the free taster pack now.I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page). Inspired by music and film soundtracks of the 1980s, and artists like John Carpenter, this pack brings us up to the modern era and films like Drive, inspiring a whole new generation of electronic musicians.ĭelivered at 80-160 BPM, it offers the perfect balance of sounds for Electro, Synthwave, Chillwave, Vaporwave, Synthpop and New Wave.
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Software sampler patches are also included and formatted for NNXT, Halion, SFZ, Kontakt and Esx24. FD, Roland HS-60, Yamaha CS1x, Moog Sub Phatty, Moog Little Phatty, and more.Ī selection of Beat Machines are also featured including LinnDrum, Sequential Circuits Drumtraks, Simmons, and Roland Analog Drum Machines.It calls on Teeel's arsenal of synthesizers, controllers, guitars and effects.
Over 300 analogue drum sounds, and hundreds of synthesizer, bass, and drum loops will transform your music into to the sounds of Synthwave giants Kavinsky, Lost Years, Chromeo, Mitch Murder, and Com Truise.
This pack is jam-packed with punchy drum machines, massive basslines, lush synthesizers and cosmic FX. Jim has remixed many of his contemporaries and recently produced music for ESPN, Nike, and the film The Gift. His acclaimed debut Amulet (2011) was a Chillwave sensation, and follow-ups University Heightsand Hydrostatic provided more genre-blending adventures in modern-vintage synth music. A fluorescent palette of massive drums, heavy basslines, creamy pads, and delicate synthesizers await you.īrainchild of Synth Records principal Jim Smith, Teeel takes you on a journey into the future's past. 'Teeel: Retro Wave' takes you back to 1986 and Loopmasters are about to beam in a superb collection of Dreamwave and Synthwave Samples inspired by the 80s New Wave movement where the Synthesizer is king.